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1. Identity statement
Reference TypeConference Paper (Conference Proceedings)
Sitesibgrapi.sid.inpe.br
Holder Codeibi 8JMKD3MGPEW34M/46T9EHH
Identifier8JMKD3MGPBW34M/3D76PPP
Repositorysid.inpe.br/sibgrapi/2012/12.11.17.05
Last Update2013:03.06.17.23.43 (UTC) administrator
Metadata Repositorysid.inpe.br/sibgrapi/2012/12.11.17.05.07
Metadata Last Update2022:06.17.01.06.02 (UTC) administrator
ISBN978-85-7669-271-3
Citation KeyWattWatt:1993:ScArCo
TitleScripting and artistic control in computer animation
FormatImpresso, On-line.
Year1993
Access Date2024, Apr. 28
Number of Files1
Size5881 KiB
2. Context
Author1 Watt, Alan
2 Watt, Mark
Affiliation1 Instituto de Matemática Pura e Aplicada (IMPA)
2 Instituto de Matemática Pura e Aplicada (IMPA)
EditorFigueiredo, Luiz Henrique de
Gomes, Jonas de Miranda
e-Mail Addresscintiagraziele.silva@gmail.com
Conference NameSimpósio Brasileiro de Computação Gráfica e Processamento de Imagens, 6 (SIBGRAPI)
Conference LocationRecife, PE, Brazil
Date19-22 Oct. 1993
PublisherSociedade Brasileira de Computação
Publisher CityPorto Alegre
Volume1
Pages123-132
Book TitleAnais
Tertiary TypeArtigo
History (UTC)2012-12-11 17:05:07 :: cintiagraziele.silva@gmail.com -> administrator ::
2013-01-03 01:24:52 :: administrator -> cintiagraziele.silva@gmail.com :: 1993
2013-03-06 17:23:43 :: cintiagraziele.silva@gmail.com -> administrator :: 1993
2022-06-17 01:06:02 :: administrator -> cintiagraziele.silva@gmail.com :: 1993
3. Content and structure
Is the master or a copy?is the master
Content Stagecompleted
Transferable1
Keywordscomputer animation
computer animation techniques
AbstractThis paper presents experience in using curves as a script base in a variety of computer animation techniques. We present a general model of motion control in animation and look at practical examples in the context of rigid body animation, the animation of soft bodies or deformation and the animation of articulated structures. Experience suggests that the conceptual difficulty that a non-numerate or non-computer literate animator may have in relating the scripts to its effect, is soon overcome. An animator very quickly becomes used to using and editing curves that specify some aspect of motion. The methods employed are discussed in the context of how best to give complete artistic control to the animator while at the same time insulating him from the tedium of specifying movement in a low level or detailed form.
TypeAnimação e Visualização Científica
Arrangement 1urlib.net > SDLA > Fonds > Full Index > Scripting and artistic...
Arrangement 2urlib.net > SDLA > Fonds > SIBGRAPI 1993 > Sumário > Scripting and artistic...
Arrangement 3urlib.net > SDLA > Fonds > SIBGRAPI 1993 > Sumário > Índice > Scripting and artistic...
doc Directory Contentaccess
source Directory Contentthere are no files
agreement Directory Contentthere are no files
4. Conditions of access and use
data URLhttp://urlib.net/ibi/8JMKD3MGPBW34M/3D76PPP
zipped data URLhttp://urlib.net/zip/8JMKD3MGPBW34M/3D76PPP
Languageen
Target File15 Scripting and artistic control in computer animation.pdf
User Groupadministrator
cintiagraziele.silva@gmail.com
Visibilityshown
5. Allied materials
Mirror Repositorysid.inpe.br/sibgrapi@80/2007/08.02.16.22
Next Higher Units8JMKD3MGPEW34M/4742MCS
8JMKD3MGPBW34M/3DAMMNL
8JMKD3MGPBW34M/3DAPSGB
Host Collectionsid.inpe.br/banon/2001/03.30.15.38
6. Notes
Empty Fieldsarchivingpolicy archivist area callnumber contenttype copyholder copyright creatorhistory descriptionlevel dissemination documentstage doi edition electronicmailaddress group issn label lineage mark nextedition notes numberofvolumes orcid organization parameterlist parentrepositories previousedition previouslowerunit progress project readergroup readpermission resumeid rightsholder schedulinginformation secondarydate secondarykey secondarymark secondarytype serieseditor session shorttitle sponsor subject tertiarymark url versiontype
7. Description control
e-Mail (login)cintiagraziele.silva@gmail.com
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